In the world of music, it’s rare that a duo can reignite a spark after decades apart and still carry the same kind of electric energy they once had. But, Passions & Misdemeanours, the long-awaited return of The Tempted, is nothing short of proof that their creative fire never truly went out. The Scottish alt-rock duo, formed in 1990 by Brian Callaghan and Michael McDonagh, has spent years honing their crafts, only to return with a record that feels like a triumph – a fusion of their past with their present, all wrapped in a sound that is simultaneously nostalgic and thrillingly fresh.

The 13-track has a blend of alternative rock blues and the sweet fragrance of synth-pop. Passions & Misdemeanours, is an intimate yet expansive listen, each track laced with a feeling of urgency and yearning. From the very first note, you can hear that the duo has found a way to marry the roughness of their earlier sound with a refined sense of polish, creating a sonic landscape that feels timeless yet completely of the moment.

While The Tempted’s early demos caught the attention of labels like Island Records in the ’90s, major record deals never materialized, leaving the duo to navigate their musical journey less conventionally. Through years of experimentation and solo projects, Brian and Michael cultivated a deep, shared understanding of music that would ultimately serve as the perfect foundation for their revival. The result is, Passions & Misdemeanours, a record that doesn’t just look back – it moves forward with confidence, embracing the varied musical landscapes the duo has explored over the years.

The album feels like a tribute to their influences, yet it’s far from derivative. Drawing from the fiery guitar solos of Stevie Ray Vaughan, the arena-ready hooks of Foo Fighters, and the heartfelt ballads of Matchbox 20, The Tempted manages to create something unique. Add in the unmistakable nods to 80s icons like Simple Minds and Tears for Fears, and you have an album that is both a product of its time and a timeless classic.

But what truly sets, Passions & Misdemeanours, apart is its attention to detail in the production. The album was mixed across two continents – Gunnar Smari Helgason in Iceland and Ross Owen Campbell in the United States – with Ross also handling the mastering duties in New York. This global collaboration injects an expansive feel into the album’s sound, giving it a polished yet organic vibe. Every layer was thoughtfully placed, from the gritty guitar riffs to the shimmering synths that weave in and out of each track.

The guest collaborators on the album also bring an extra layer of magic. Mick MacNeil, the legendary keyboardist from Simple Minds, lends his signature sonic touch to several tracks, while disco diva Mary Kiani adds a spark of energy with her captivating vocals. Bassist Shug Brankin is also integral to the record’s groove, laying down basslines that feel both infectious and muscular.

As for the tracks that stand out, it’s hard to pick just a few. “A Lonely Life” is a wistful meditation on isolation, while “Love Love Love” is a gloriously infectious anthem that will make you want to sing along at the top of your lungs. “Sailing Home,” with its yearning guitar and emotionally charged lyrics, is another highlight, showcasing the duo’s gift for storytelling. Each song offers a glimpse into The Tempted’s evolving sound while still carrying that distinct, unmistakable energy that defined their early work.

Ultimately, Passions & Misdemeanours, serves as a testament to the enduring power of The Tempted’s part,nership and their ability to adapt while remaining true to their roots. It’s an album that will speak to both long-time fans and newcomers alike, inviting everyone to lose themselves in its rich textures, emotional depth, and sonic grandeur.

After years of separate ventures, Brian and Michael have come together once again, and their creative chemistry has never been stronger. Passions & Misdemeanours, is a triumph—a bold and compelling chapter in the story of a duo whose passion for music is as fierce as ever. And if this album is any indication, the best may still be yet to come.

Words by Danielle Holian

THE SONGBIRD HQ