Helen, Oh I is a bold sonic departure from the band’s usual adrenaline-fueled output, being rich in texture and emotional weight. A sweeping string arrangement drapes delicately over frontman Jamie Boyle’s raw and aching vocals, bringing a cinematic depth to an already deeply personal track.”

With the release of Helen, Oh I, The K’s offer an arresting glimpse into the emotional core of their upcoming sophomore album, Pretty On The Internet. Known for their punchy, high-octane anthems, the band take a more vulnerable, introspective turn on this track—delivering a stirring ballad that lingers long after the final note.

Clocking in as their third single of the year, Helen, Oh I is a bold sonic departure from the band’s usual adrenaline-fueled output. Produced by Grammy-winner Jim Lowe (Stereophonics, The Dandy Warhols) and mixed by Pete Hutchings (Royal Blood, Foals), the song is rich in texture and emotional weight. A sweeping string arrangement drapes delicately over frontman Jamie Boyle’s raw and aching vocals, bringing a cinematic depth to an already deeply personal track.

Boyle’s lyricism cuts close to the bone. In a candid statement, he reflects on a time of chaos—navigating the highs of a rising career while grappling with self-destructive habits and the slow unravelling of personal relationships. The refrain “Helen, oh I” reads like a plea, a confession, and an apology all in one breath. It’s a moment of clarity in the storm, captured beautifully in song.

Despite the change in pace, The K’s unmistakable identity still pulses through. There’s something about the urgency of their storytelling and the honest, unfiltered emotion in Boyle’s delivery that feels entirely theirs. They’ve managed to broaden their sound without losing sight of who they are—always a tricky line to walk for a band on the cusp of something bigger.

Currently storming through their Pretty On The Internet tour, including a major date at London’s Roundhouse, The K’s are proving night after night that they’re not just studio musicians—they’re a live force to be reckoned with. With appearances at The Great Escape, TRNSMT, and a major support slot for The Kooks later this year, the stage is very much set for The K’s to cement their place among Britain’s next great guitar bands.

If Helen, Oh I is any indication of what’s to come on Pretty On The Internet, then The K’s aren’t just back—they’re evolving. And they’re doing it with guts, grace, and some serious songwriting chops.

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Review by Danielle Holian

THE SONGBIRD HQ