HOLYMAMI’s new EP TRAP THERESA is a five-track blast of unfiltered emotion, genre-bending audacity, and fierce individuality. From the opening seconds, the project sets a tone that is both confrontational and cathartic, refusing to fit neatly into any single sonic category. It’s not just music you hear, it’s music you feel in your chest, your teeth, and your gut. HOLYMAMI channels rock’s power, punk’s grit, and nu-metal’s raw energy into something that feels entirely her own.

Each track on TRAP THERESA offers a different dimension of HOLYMAMI’s artistry. One moment, she’s snarling through a guitar-heavy chorus, the next, she’s peeling back layers to reveal something strikingly vulnerable. There is no filler here, only tightly wound bursts of rage, reflection, and resilience. The production is sharp and intentional, layering distorted guitars, industrial beats, and urgent vocals in a way that feels chaotic yet controlled.
What truly sets HOLYMAMI apart is her ability to channel emotional extremes without losing focus. Her lyrics are both poetic and primal, and she sings them like someone who has fought hard to reclaim her voice. The EP’s standout moments often come when softness and savagery collide, revealing an artist who understands that power and pain are not mutually exclusive. It’s not just about sound, it’s about impact.

Fans of Santigold, Veruca Salt, Rage Against the Machine, and PJ Harvey will hear echoes of those influences, but HOLYMAMI never leans too hard on any single reference point. She absorbs them, flips them, and spits them back out as something fiercer and more personal. TRAP THERESA doesn’t borrow energy; it creates its own current. The EP moves fast and hits hard, but its messages linger long after the last note.

In TRAP THERESA, HOLYMAMI doesn’t just blur boundaries, she destroys them with precision and purpose. This is music made with conviction, crafted for a generation that is tired of being polite and eager to scream the truth. It’s a thrilling, unpredictable, and deeply human release from an artist who refuses to be ignored.
Review by Danielle Holian
THE SONGBIRD HQ
